This now is an introduction to my Laegna system. It’s practically designed math - where the scientific world might benefit from limitless infinities, they must consider that for their own practical purposes they need a real number. My number are charged with symbolic energy.

Update: I just found this song and thought I add it here, in case you want something to do if the text is scarily long - it’s definitely inspiring. The site just appeared too gray and senseless.

https://www.youtube.com/watch?v=S-_vF1RxMR0

What the Laegna documents cover and how to classify them:

Basis of 2, 4 and 16

Basis of laegna system is either 2 (A and O) to divide four number into any set of opposites, starting from ones having equal number of polar elements and some expressible, simple Laegna linear connection.

Even if I die, I want win, as I conclude the Viking gene in me where indeed I see this in Buddhist religion, even higher than this life in reality, but integral to complete pattern where some form of “meness” would appear; let’s call it reincarnations or let’s use more fundamental concept of oscillations of karma, of causes and effect, into the same reasons to enlighten certain labeled parts of this universal energy of conceptual life, forming some identities of the same, evolving class where I might even be aware, as a fundamental cause and effect of me appears in the same field, how the karmic effects come back; but otherwise the karma might appear in similar people in society, but without having heaenly reasons my altruist reasons would be social, and still I want to give back to the original seed of the energy, a Christian karmic principle to express this - thus, the basis of my mathematics, as given here, is a compressed form of some repeating patterns and meanings in my math; thus, inspired by this work you would reach, over many generations, definitely to my math, and as it’s also symbolic and inspired, and numbers are meant to be used also intuitively and symbolically - you can find your own fruits of math creation. As well, learning this your senses would open and you would see this math in all my inspirational work, connecting also to sources. Indeed, if I have time in my life for more complete Laegna system, but it needs to be more concrete, less intuitive and more like a system we can use; and on this level I give you the first 3 classes, where reading, writing and basic calculus is studied.

16 numbers on 2 complex axes:

-2 -1 1 2
-2 I J K L
-1 O P Q R
1 A B C D
2 E F G H

Where X is the area in these numbers; and where U and V or upside-down U would add more axes, as well as letters after U; and S T and M N form some area of special meaning. U is zero, and under the zero there is another dimension, new information bits; also V is infinity, and where the numbers never reach the infinity opens - going inside, there is new reality. To reach more opposite numbers, or the ones which see our positive numbers as negative, you go up and down on the same axe, now using + and - for E and I octaves, instead of using * and / for and O - usually, O and A are - and +, I and E being / and *, but obviously, crossing this line of infinity we see them in opposite direction; Laegna operation of having them on the same line depends on the theorem - here, the actual direction of these relations is unknown, where the velocity vs. acceleration is measured; when the same axe meets itself in counter way, we call it “r” switching, with R with special mark of two positions swapping - we have, aligned with theorem, the axe and R switched axe aligned, and now it’s again full numbers. Because I and E are really different, where O and A are rather different components, sometimes O and A form a space of two components of this number field, and a neutral relation where I and E marks good and bad.

Complex numbers, indeed, are not linear, but they are central to attract the quality of infinity.

2, 4, 16 - in binary system you see the logarithms written as whole numbers, along with exponential levels. 2 happens on both scale and plus/minus opposition in 4 numbers positive and negative, and continues this relation. In 16, the reality is completely inversed upwards once you meet V in the other end, and free axes or qualitative change is formed, being able to express complex language constructs (where each letter has a meaning based on sound, form and it’s mathematical positioning in number complex, where the additional axe forms almost a contradiction, or otherwise a synergy or exponent from the same space, but logical effect forming exponent number of connections reconnecting to itself).

2, in relation to 1, needs for 1 a multiplicator of infinity; even normal multiplicator is not enough but at least on infinitesimal upwards would accelerate it a little; still, rather multiplication than division, in Laegna, is necessarily growing and not static in philosophical matters related to math with some effort, a conscious view of numbers. Limit in the end of infinity, where no number would reach it, it is at least one infinitesimal apart from the “last number” you can form, something really existing in unlimited infinity - where you create a circle, as larger you make it, as closer you get to infinity; you need to enchance your coordinate system - typical trick of Laegna, and you can reach there straight from conception of Octaves and coordinate systems appearing, some might help you and one is special, perfect for this relation. Rather I give it philosophically, as Laegna is young or creative and numbers very expressive, I work creatively on single numbers like Tanel Tammet, being an autist (not very much into spectrum, tough, as I was told in school); so in different conditions of matter and mind, some numbers resolve the theorems in relation to some other theorems, and I cannot give so simple algorithm for each case than the philosophical idea of geometric connection standing on it’s own like projective geometry, a tricky way to solve some important math problems without calculating, on paper with circle and a ruler and pencil etc.

The limit disappears where the same oscillation is lost into much more complex, bigger and accelerating oscillations; the creative function near infinity limits is suddenly very close to simple adding and subtraction, the velocity or low-frequency number (higher frequencies move towards acceleration, where the space over infinity only allows acceleration and speed is under zero, in the range from A to E, smallest and largest angle).